The "Translation Machine" - How Bees Helped Make A Sound Sculpture

Artist and technologist Daric Gill has spent years building experiential sculptures that bridge biology, sound, and interactivity. His latest project — The Translation Machine — continues that exploration by creating an acoustic dialogue between humans, global environments, and Apis mellifera - the Western honeybee.

Project Requirements

To bring this to life, Gill needed a system that could:

  • Play high-quality audio through unconventional resonant structures
  • React instantly and smoothly to human proximity
  • Fit discreetly inside the sculpture’s wooden geometry
  • Run stable firmware designed for long exhibition cycles

Featured SparkFun Hardware

This shield handles playback of the field recordings — audio gathered over years of global travel. The simple control interface made it a reliable fit for a sculpture that depends on responsive, clean playback.

Building the Translation Machine

First conceived during a series of international research trips, Gill wanted to build a way to “translate” the vibrational world of bees into something humans could experience more directly. Honeybees communicate and sense their environment largely through vibration. Sound, resonance, and proximity are core to their perception. The question became: What would it look like to build a sound installation that meets bees on their own terms?

 

The acoustic environment itself consists of a cluster of wooden hexagonal tubes designed to mimic honeycomb. Inside them sit real honeycomb structures harvested from real bees. Sound is transmitted through the honeycomb, allowing its natural geometry to shape the output.

The sculpture centers around a hexagonal electronics chamber that houses:

When a viewer enters the space, the PIR sensor wakes the system. As they move closer to the honeycomb-filled acoustic tubes, the sonar sensors continuously measure distance and scale the audio output. Step closer, and the sound swells — a kind of proximity-based “translation” that invites the viewer to lean in.

The sound itself is carried from small, embedded speakers into the honeycomb. The comb becomes both amplifier and filter, altering resonance in ways that can’t be replicated by digital processing alone. Gill describes this as a collaboration with the bees — the honeycomb they built shapes the sound humans hear.

Gill has documented the full process in a long-form video, including woodworking, electronics, programming, and installation. It also details how the SparkFun components integrated into the system’s sensing and playback pipeline. 

Impact, Further Reading, etc. 


The Translation Machine has already received strong attention from galleries and interdisciplinary art/tech circles. It demonstrates how accessible embedded hardware can be paired with organic structures to create hybrid sensory environments — part sculpture, part biological instrument. The installation invites visitors to think differently about communication, species boundaries, and how we interpret vibration, sound, and movement.

For a deeper dive into the project, check out Gill's full project rundown at https://daricgill.com/2025/11/20/building-translation-machine/

 

You can also follow Daric and his work on his website at http://daricgill.com/ or on his instagram at https://www.instagram.com/daricgillstudios/